el retorno de lo reprimido (2013)

This exhibition, my first show on a commercial gallery, was an exploration of shit, related, on one hand, to several metaphores of money, profit and commodity production and, on the other, to the idea of artists self-portraits or, better, of my own self-portraits as an artist, equally conflicted with the social order of the art institution as well as with my own subjectivity. I considered myself as a symptom largely repressed and then agressively expressed on the form of the exhibition. It was, simultaneously, the materialization of a healing process and a manifesto on the idea of being under influence.